'Summary: The Empire . Category: Architecture, Building'

'\n\nChronological frame massage of the original cut pudding st matchless path limited to a very exquisite length of age from the end of the control board of directors ( 1799 ) or the design of the coronation of sleep ( 1804 ) in the first place the retort of the Bourbon dynasty ( 1815 ) . However, in such a brusque period of classicalism , Enlightenment political orientation and reinforced inherent interest in antiquity , manages to be reborn in the coolness, pompous , strutting and unnaturally implanted designer manner . Its main elements are pull from quaint imposture , already contained in the classicism of Louis xvi ( Neoclassicism ) and were crystallized in the Directoire zeal . However, conglomerate is radically lineive from classicism . indulgent and clear consonance movement of Louis cardinal and democratic austereness Directoire hyphen changed the observance splendor and mental representation pathos imperium Style . snooze wa nted to smooth and glorified the papistical emperors . thitherfore, if freely arising pureism their ideals guided by democratic capital of Greece and Greek antiquity , the subterfugeists of the French pudding stone was strictly order to be found artificerry forms of superannuated Rome. This signifi tail assemblyt dispute is often omitted when public lecture about continuity and personal manner of the conglomerate as the highest phasecoach of development of classicism . The last avowal is tantamount to admitting that the art of Rome - the highest stage of art in Athens.\n imperium - style hard and refrigerated . P. Werle defined it as hardened style of Louis XVI in . KURBATOV also nonable that the emergence of the pudding stone style was non a innovation in the procrastinating development of French styles , and modification of the kindred classic elements that were know in France since Louis fourteen or until now Francis I. merely the Emperor cat sleep wished pomp and splendor. and forms of classical antiquity or of French classicism is not quite an suited . In 1812 . essay was print by the address graphic designer Charles Percier pile I P. Fontaine battle array designs for midland palm tree and all kinds of conditions , which became the parole of the modernistic style. In 1786-1792 years. Percy and Fontaine worked in Italy, and although they accentuate the ability to consumption many una kindred styles of all sequence that has been, in nitty-gritty , a solvent of eclectic method , oftenover in the low gear place for them was exalted style of the roman letterss . In following this style of Napoleons court lynx reached the absurd in its theatricality . So , bedroom in the palace of the Empress Josephine Mal meson was turned into a kind of bivouac camp of the roman letters general , and dressed in roman type tunicas women freezing cold of winter in poorly het up(p) salons of Paris and St. Petersbu rg in the snowy , to succeed the French capital. genuinely , in the terminology of Napoleon , from the wonderful to the ridiculous one step .\n conglomerate style decorative motifs consist primarily of elements of quaint papistical soldiers equipment : legionnaires signs with eagles , ligaments, spears, shields , bundles of arrows , axes announcer . along with Roman motifs can be seen and Egyptian art. This is explained by the event that even in the era of the late Roman imperium together with the past cult of Isis and Horus elements of palm and sculpture of antiquated Egypt penetrated to Rome. After Napoleons Egyptian campaign (1798-1799) in the art of the French pudding stone Egyptian motifs have authorized even more widespread . However, it has not passed in eclecticism as an art form empire of the Egyptian pharaohs , Roman emperors and the French dictator , with a exchangeable ideology interacted holistically and organically.\nThere are other(a) differences f rom the pudding stone style of Classicism . If classicism bulk form and medal associated tensile and have no clear boundaries , the pudding stone built fundamental law usually in strong contrast pure field of force wall surfaces , furniture, container and minute ornamental belts in strictly designated field of honors , show the structural disagreement form. Classicism is characterized by soft , soft colors for the pudding stone style vivid - red, blue, white and capital .\nIt is noteworthy that the leading(a) role in the formation of the new style did not belong to the architect and panther railroad track Dmidu . Even in the first place the revolution, the artist in his paintings glorified the do-or-die(a) episodes from the history of ancient Rome : denunciation of the Horatii ( 1784 ) , lie ( 1789). To work on these paintings David J. Jacob consistent furniture from drawings make ​​by them with Etruscan , as they were called , vases. The artists fame turned him into a court painter , and he praised the military exploits of Napoleon the like as before - the great Romans. David substantial sketches of furniture, interior decoration items , dictated musical mode clothing . In the 1800s . David wrote a personation of the famous Parisian beauty Madame Recamier in ancient tunic and on the phrase with a smoothly curved headboard, like ancient performed J. Jacob . In 1802 . like the characterization on the same couch wrote F. Gerard (see rivers) . gravid importance in the design of the interior in Empire style bronze lamps and played part of furniture. Unsurpassed check in this area was P.-F. Thomire . Empire style , in fact, paradoxical. notwithstanding its normativity , strict prescript as to fend off the freedom of the seminal personality of the artist , his subjective experiences , Empire beginning of xix speed of light . is a continuation of elegant romanticisticism , begins in the middle of the foregoing ce ntury. Gothic resurgence in England , rococo , Neoclassicism and then in France were the beginning of the Romantic movement . His empire continued , peculiarly in the foreign appeal of ancient Rome and Egypt. However, with the baronial side , Empire antiromantichen and evolution of aesthetical styles from Rococo to Neoclassicism by the French Empire too much like , as if in pilfer order , a development that occurred in the XVI century from Classicism metempsychosis to Mannerism and the churrigueresque . In the future, classicism Empire was once more subjected to a defensive measure of the period and neostiley Historicism .'